Phillip Strasser was the art critic for a small public radio station in upstate New York. He always arrived at the gallery early to avoid the annoying pretentious crowds that he felt always came to these openings. He looked at the white on white that was the interior of the gallery and wondered if perhaps there was something he was not getting. Was it art? While standing there contemplating the work, it hit him. My god, he thought, it is the nature of unlimited possibilities, the unwritten future, the blank slate of a newborn baby. It is genius. Sadly, Phillip Strasser had misread the invitation and arrived the day before the art was installed. He was after all, the very same critic who once mistakenly took a power failure for a performance piece on the darkness of the human soul.